Nobody’s Girl w / The End Of America - 11.13.20Friday, November 13 2020 6pm Doors / 8pm Start
Nobody’s Girl w / The End Of America - 11.13.20
at The Loft at City Winery DC
$20.00 in Advance / $24.00 Day of Show
When Nobody’s Girl (aka BettySoo, Rebecca Loebe, and Grace Pettis) began discussions with their label, Lucky Hound Music, about recording a full length album (a follow up to their critically acclaimed EP, Waterline), the idea to start with one new song, but maybe to do a few Christmas songs too was floated. That idea totally jived with their sensibilities and sounded fun, too. They chose two songs, “Someday at Christmas,” and “Merry Christmas, Baby.” Both tracks will be released digitally, worldwide, on October 25th.
"We’d all heard this song [‘Someday at Christmas’] as sung by Stevie Wonder and the Jackson 5,” says BettySoo, “but I don’t think any of us realized this song wasn’t written by Stevie! It was a fun exploration for us to try to make it musically our own by letting the choruses soar in a new, hopeful melody with a different structure and dreamy harmonies.” Grace adds, "I'd never really listened to the words of this song until we found it, while digging through possible Christmas covers. The Jackson 5 and Stevie Wonder versions are so upbeat and fun that it's easy to miss the sentiment underneath, which is quite profound. We wrote a new melody and chord progression for a ‘chorus’ section, to highlight that sentiment. ‘Someday at Christmas’ is about dreaming of a better world for humankind, where ‘men are free,’ even if we don't think we'll live to see it.” Rebecca agrees: “It is my sincere hope that someday this song is irrelevant, but for now it feels like a really good prayer for the 2019 holiday season.”
"I love the B.B. King version of this song [‘Merry Christmas, Baby’]. It's so fun. It's the perfect soundtrack to any Christmas party,” says Grace, adding, ”I've actually spent years playing ‘Merry Christmas, Baby’ at Christmas parties so I have proof! Our version has a vintage feel with a modern update. It’s a little more laid back. Our version is the Christmas party at around 1 or 2 in the morning, when there are just a few people left, making out in corners and waiting on their Ubers.” Rebecca adds, "I wasn't very familiar with this song, but both Grace and BettySoo have sung it in the past and I fell in love with it instantly!” BettySoo noted, "It was really interesting to discover some of the conflicted history of this super fun (and popular) song when we were deciding which lyrics we wanted to sing in our version. The set we used was adapted from what Smithsonian Magazine seems to regard as a version stemming from the original — written by Charles Brown, a teetotaler.”The new original song they recorded, “Kansas,” won’t be heard until we all know what the record actually is. There will be more recording sessions in September and January. In the meantime, on November 1st, Nobody’s Girl’s version of “Fast Car”– yes, the Tracy Chapman cover that basically launched them via some viral Facebook video action before they even went under the moniker of “Nobody’s Girl”– will be released digitally, worldwide. That video, since disappeared, has been re-branded and will re-appear this fall around the single’s release.
"I've always loved this song, but it is even more dear to me now because it is the first song we ever sang together as a group,” says Rebecca. "Funny story: When we decided to go on tour, we needed to make a video so promoters and audiences knew what we would sound like together. For that matter, we didn't even know what we sounded like together! But we had a feeling it would be fun. Grace came to my house and we worked out an arrangement and sent it to BettySoo, who was on tour. When the day came, we met up at a friend’s studio and pulled out some iPhones to record video. Grace and I had never heard BettySoo's parts until the first run through, and by then cameras were rolling. It was a really magical day and I'm so glad that we've got that moment captured.”
BettySoo adds, "I heard this song for the first time when I was a kid sitting on my parents’ bedroom floor, watching on a tiny black and white set with UHF/VHF knobs. Remember those? Tracy Chapman was playing it solo, I think at the Grammys, and I’d never heard a song like that before. I’d never heard a story sung that way, a song that painted a picture of lives so simultaneously full and devoid of hope. It moved me so much and opened up an entire world of singer-songwriter music for me.” And Grace remembers, “'Fast Car’ is the first song we all sang together. It's special for all three of us and we jumped at the chance to sing it together. Tracy Chapman is a genius. She bottles something in ‘Fast Car’ that most women have felt; that most people have felt. ‘Fast Car’ an anthem for anybody who knows what it feels like to try to get out of a small town or a bad situation; to try to make a better life for themselves.”
Since “Fast Car” has that kind of history with Nobody’s Girl, it just made sense to include it (with the Christmas songs too, of course) as part of the “awareness campaign” leading into their next release, tentatively scheduled for late May, 2020. In the meantime, they will perform more dates as Nobody’s Girl and pursue their individual solo careers, being ambassadors for what they have created with Nobody’s Girl at all times.
Hailing from Texas, Alabama, and Georgia, respectively, and now neighbors in Austin, BettySoo, Grace Pettis, and Rebecca Loebe have individually bewitched audiences with unforgettable songwriting for years. Friends now for a decade, they first met at the legendary Kerrville Folk Festival, each winners of the prestigious annual “New Folk” award there. Beautiful singers, effortless instrumentalists, and seasoned touring artists– they recognized that what each can accomplish individually could be made all the stronger by this collaboration.
Originally, the band was conceived as a one-time tour; a chance for three friends & like-minded peers to travel and perform together for a few weeks. The of their Tracy Chapman’s “Fast Car,” cover was hastily created to promote that tour before garnering over twenty thousand views on Facebook within days of posting. Coupled with that 20-city tour, the spark had been set, the fire lit. Upon their return, they quickly (within 36 hours) wrote some songs together and entered the studio with a core band of Austin all-star musicians: David Grissom (guitar), Glenn Fukunaga (bass), J.J. Johnson (drums), Ricky Ray Jackson (pedal steel) and Michael Ramos (keyboards, also the producer of the project) to document what they’d just created.
Delving into pop-rock and soul territory fully and deliciously, their pristine voices blend so well, it’s sometimes hard to tell who’s singing what - even for them. The effect is like listening to sisters, until they trade off lead vocals. Then the distinctive, complementary elements of their voices becomes thrillingly evident. Their debut EP Waterline (under the band name “Nobody’s Girl”) on the Lucky Hound label is out now!
The End of America
Philadelphia natives The End of America (TEOA) caught the attention of the industry and fans alike with their debut release Steep Bay (2010), following up with the sophomore LP Shakey (2012) and the critically acclaimed eponymous S/T album in 2016. TEOA’s new single “Break Away”, due out June 7, 2019 on all digital and streaming platforms, will also be available as a limited edition 7” vinyl and features a version of Simon and Garfunkel’s “America” on the B-side.
“Break Away” is the first in a series of new songs that will be released by TEOA in 2019. TEOA is blazing new trails in the digital age by ditching the album format and releasing a new song each month for the remainder of 2019. Recorded at a barn cabin and produced by the band and mixed by Trevor Leonard, “Break Away” takes The End of America in a new bold direction, morphing acoustic instrumentation with drum loops and the bands’ signature harmonies. The result is a cohesive mix of classic harmonies and new sounds delivering a fresh outlook on what the future will hold for TEOA. “Break Away was written and recorded on the spot during a break mid-tour. It was one of those sessions that felt like magic. A full moon. There was a pond full of peepers near the cabin and you can hear them on the tracks. We played on wine glasses and looped stomp/clap ideas. Lots of spontaneity and experimenting. Somehow it still sounded like us. We’re excited to let this one out of the bag”, states Brendon Thomas.
The End of America has been recognized for their powerful live performance which highlights dynamic songwriting, harmonies and playful stage banter. They have performed at festivals across the East Coast and Midwest including the 2016 Philadelphia Folk Festival where they were voted “Favorite New Artist” and will return for a performance at The PFF in 2019. In 2017 TEOA won the Emerging Artist Showcase at Falcon Ridge Folk Fest, returning in 2018 to perform as FRFF’s “Most Wanted” band.
TEOA have shared stages with the likes of David Bromberg, Brian Fallon, Larry Campbell, Mandolin Orange, Wild Child, The Ghost of Paul Revere, Rocky Votolato and Beck. Beck invited TEOA to play at his Song Reader album release show in Los Angeles after hearing the trio’s rendition of Please Leave A Light On When You Go. Their performance was broadcast live on KCRW and earned praise from Spin and Filter.