Carolyn Wonderland/ Shinyribs - 9/3/18Monday, September 03 2018 6:00 pm Doors / 8:00 pm Start
- Front Premier
- Bar Stool
Carolyn Wonderland/ Shinyribs - 9/3/18
at City Winery Washington DC
- 6:00 pm
- 8:00 pm
- Front Premier
- Bar Stool
A musical force equipped with the soulful vocals of Janis and the guitar slinging skills of Stevie Ray, Carolyn Wonderland reaches into the depths of the Texas blues tradition with the wit of a poet. She hits the stage with unmatched presence, a true legend in her time.
Carolyn grew up the child of a singer in a band and began playing her mother’s vintage Martin guitar when other girls were dressing dolls. She’s gone from being the teenage toast of her hometown Houston to sleeping in her van in Austin amid heaps of critical acclaim for fine recordings Alcohol & Salvation, Bloodless Revolution, and more recently, Miss Understood and Peace Meal.
2014 highlights included key festival appearances in North America and Europe, as well as guest sit-in appearances with cohorts Vintage Trouble, and vocal performance on two tracks of James Williamson’s (Stooges) release of newly recorded versions of songs he and Iggy wrote in 1973 and 1974 called“Re-Licked” along with Jello Biafra, Mark Lanegan, Alison Mosshart, and many more. 2015 highlights include her first-ever New Orleans JazzFest appearance, appearance on Carson Daly Show, and a live album called “Live Texas Trio.”
As Austin royalty, Shinyribs are one of the music world’s best-kept secrets, but not for long. The eight-piece outfit was recently named Best Austin Band for 2017, while I Got Your Medicine was tapped as Album of the Year at the Chronicle’s prestigious Music Awards. Balding with a scraggly beard and an unapologetic gut, the 50-year-old Russell boasts the indelible spirit and nudge-nudge, wink-wink playful quality of a man forever young, who points to the likes of Tony Joe White and the Coasters for his Shinyribs-tickling, mind-expanding, butt-shaking “is he for real” sense of humor.
The crack eight-piece band features, aside from Russell, keyboardist Winfield Cheek, bassist Jeff Brown and drummer Keith Langford, along with the Tijuana Trainwreck Horns (trumpet player Tiger Anaya and Mark Wilson on sax and flute) and the Shiny Soul Singers (Alice Spencer and Kelley Mickwee), as well as occasional on-stage appearances by the Riblet Dancers.
About his status as a local hero, Russell says, “The competition is pretty serious here in Austin. I don’t know how big a fish I am, but I certainly flop around a lot.”
Kevin Russell might not take himself too seriously, but he is dead-on serious about the eclectic blend of music he favors, combining Texas blues, New Orleans R&B funk, horn-driven Memphis soul, country twang, border music, big band swing, roots-rock, Tin Pan Alley and even punk into a raucous mix that includes such out-of-the-blue cover nods as David Bowie’s “Golden Years” (a posthumous tribute with an unlikely “On Broadway” groove) or the Beatles’ “Everybody’s Got Something To Hide Except Me and My Monkey” (interpolated into a live version of “Poor People’s Store,” his populist “jingle” for an imaginary bargain basement outlet).
“I was raised in an era where there were no rules, where marketing and specialization hadn’t yet become the status quo,” he says of his vast musical canvas. “I think of radio as playing all styles of music; everything is up for grabs. I never wanted to play just one kind of music. Honestly, I don’t know how to do anything else…”