Van Morrison and Willie Nelson & Family (Lower Bowl Seating & Wine Garden Access) at Forest Hills Stadium - 9/12Wednesday, September 12 2018 5:00 p.m. Doors / 6:30 p.m. Start
Van Morrison and Willie Nelson & Family (Lower Bowl Seating & Wine Garden Access) at Forest Hills Stadium - 9/12
at Forest Hills Stadium
- 5:00 p.m.
- 6:30 p.m.
City Winery has partnered with Forest Hills Stadium to bring you great seats, and bring our urban winery vibe to Queens with the City Winery Wine Garden, an exclusive, covered, all-weather spot just steps from your seats.
Wine Garden guests will enjoy unlimited wine from Manhattan’s only winery and light snacks before and during performances by acclaimed artists such as Robert Plant, David Byrne, Nathaniel Rateliff and many more.
CHECK OUT FULL LINE UP HERE
ABOUT VAN MORRISON
One of music’s true originals Sir Van Morrison’s unique and inspirational musical legacy is rooted in postwar Belfast.
Born in 1945 Van heard his Shipyard worker father’s collection of blues, country and gospel early in life. Feeding off musical greats such as Hank Williams, Jimmie Rodgers, Muddy Waters, Mahalia Jackson and Leadbelly he was a travelling musician at 13 and singing, playing guitar and sax, in several bands, before forming Them in 1964.
Making their name at Belfast’s Maritime Club, Them soon established Van as a major force in the British R&B scene. Morrison’s matchless vocal and songwriting talents produced instant classics such as the much covered ‘Gloria’ and ‘Here Comes The Night’.
Those talents found full astonishing range in Van’s solo career. After working with Them’s New York producer Bert Berns on beautiful Top 40 pop hit ‘Brown Eyed Girl’ (1967), Morrison moved to another realm.
“…there was never any suggestion that Morrison, one of the most prolific recording artists and hardest working live performers of his era, would ever rest on his laurels.”
Recorded over 3 days with legendary jazz musicians Astral Weeks (1968) is a still singular album combining street poetry, jazz improvisation, Celtic invocation and Afro Celtic Blues wailing.
Morrison would weave these and myriad other influences into the albums that followed in quick succession.
Reflecting on new life in America on the joyous Sinatra soul of Moondance (1970) and the country inflected Tupelo Honey (1971) he summoned old spiritual and ancestral life in the epic St Dominic’s Preview (1972) closer track Listen To The Lion.
Double live album Too Late To Stop Now (1973) highlighted Morrison’s superlative performing and bandleader skills. Mapping out a richly varied musical course throughout the 70s he shone among an all-star cast including Bob Dylan and Muddy Waters on The Band’s Last Waltz.
Indeed, borne of his Irish Showband instincts, the magic of the live performance has been a consistent feature of Morrison’s career.
Settling back into life in the UK in 1980 he released Common One an album centring on Summertime In England an extraordinary invocation of literary, sensual and spiritual pleasure the song would often become a thrilling improvised centrepiece to his live shows.
Steering his own course throughout the 80s on albums such as No Guru, No Method, No Teacher he claimed Celtic roots with The Chieftains on Irish Heartbeat. Teaming with Georgie Fame brought new impetus to his live show while Avalon Sunset saw him back in the album and single charts by the decades end.
Van Morrison continued to advance on his status as a game- changing artist through the 90s and into the 21st century.
Awards and accolades – a knighthood, a Brit, an OBE, an Ivor Novello, 6 Grammys, honourary doctorates from Queen’s University Belfast and the University of Ulster, entry into The Rock n Roll Hall of Fame and the French Ordres Des Artes Et Des Lettres – attested to the international reach of Van’s musical art.
Yet there was never any suggestion that Morrison, one of the most prolific recording artists and hardest working live performers of his era, would ever rest on his laurels.
The breadth and reach of his collaboration work continues in 2015 with the release of his new album ‘Duets: Re-working The Catalogue’. Featuring singers as influential and diverse as Bobby Womack, Gregory Porter, Mavis Staples and Michael Bublé, the album re-works songs handpicked from Morrison’s catalogue of over 360 tracks across his career. Including songs such as Real Real Gone, Higher Than The World and Irish Heartbeat, the album was recorded in his home town of Belfast and London over the last year, using a variety of musicians and fresh arrangements.
With one of the most revered catalogues in music history and his unparalleled talents as composer, singer and performer Morrison’s past achievements loom large. But, as throughout his extraordinary career, how that past informs his future achievements and still stirs excitement and keen anticipation.
And so in 2017 Van released his 37th and 38th studio albums, the first of which, Roll With The Punches, is a blues flavoured offering. The 15 track album reconnects Morrison with artists such as Leadbelly, Lightnin’ Hopkins, Little Walter and Bo Diddley…musicians he first heard at home on the family radiogram. But more so, it brings Van together with musicians he encountered on the road during his time with Them in the ‘60s blues boom as Chris Farlowe, Manfred Mann’s Paul Jones and The Yardbird’s Jeff Beck all make contributions to the recordings. The rich jambalaya enjoyed on Roll With The Punches is Van Morrison both looking back, and moving forward. And though he references the past, Morrison always makes it his own, stamping his unmistakable spin on what has gone before.
Following shortly after the release of Roll with the Punches was the aptly titled Versatile. This album sees Morrison cross the genres of blues, soul and reconnect with his love of jazz. Across Versatile’s sixteen tracks, Van Morrison interprets some of the very building blocks of modern music in his own utterly unique style. As well as songs originally made famous by the likes of Chet Baker, Frank Sinatra, the Righteous Brothers, Tony Bennett and Nat King Cole, Versatile features the stunning new Van composition Broken Record – a timeless piece of late-night swing – and new interpretations of classics from his back catalogue (I Forgot That Love Existed from the 1987 album Poetic Champions Compose, Start All Over Again from 1990’s Enlightenment and Only A Dream from 2002’s Down the Road).
2018 is a significant year in Morrison’s career, marking 50 years since the release of the iconic Astral Weeks album in 1968. To date, the year has been full steam ahead for Morrison beginning with a string of shows in the USA and further shows scheduled for Europe later in the year. Morrison shows no sign of slowing things down, continuing to work on new material and exciting upcoming projects.
ABOUT WILLIE NELSON
With a six-decade career and 200 plus albums, this iconic Texan is the creative genius behind the historic recordings of Crazy, Red Headed Stranger, and Stardust. Willie Nelson has earned every conceivable award as a musician and amassed reputable credentials as an author, actor, and activist. He continues to thrive as a relevant and progressive musical and cultural force. In recent years, he has delivered more than a dozen new album releases, released a Top 10 New York Times’ bestsellers book, again headlined Farm Aid, an event he co-founded in 1985, received his 5th degree black belt in Gong Kwon Yu Sul, headlined the annual Luck Reunion food and music festival at his ranch in Luck, TX during SXSW, launched his cannabis company Willie’s Reserve, and graced the cover of Rolling Stone magazine. In 2015, Nelson published “It’s A Long Story: My Life,” the unvarnished and complete story of his life that landed him on the New York Times’ bestsellers list. He also released a new studio album with Merle Haggard titled Django And Jimmie, which debuted at #1 on Billboard‘s Country album chart and #7 on Billboard‘s Top 200 album chart. In November 2015, the Library of Congress honored him with their Gershwin Prize for Popular Song for his contributions to popular music. He is the first country artist to receive the distinguished award. The following year began with the release of Summertime: Willie Nelson Sings Gershwin, a collection of 11 newly recorded Gershwin classics. The album debuted at #1 on both the Top Current Jazz chart and the Top Traditional Jazz chart, as well as earned him a Grammy Award for the Best Traditional Pop Vocal Album. In September 2016, came For the Good Times: A Tribute to Ray Price, an album of newly recorded interpretations of 12 Ray Price songs. A month later, Nelson released Pretty Paper, his new novel inspired his classic holiday song of the same title about a legless man who sold wrapping paper in front of a Ft. Worth, TX department store. In 2017, he released two albums of newly recorded performances: God’s Problem Child, with 13 new songs that debuted at #1 on Billboard’s Country album chart and #10 on the Billboard 200, and Willie Nelson and The Boys (Willie’s Stash, Vol. 2), that includes 11 country classics and one brand-new song performed by Nelson and his sons Lukas and Micah. For 2018, already scheduled is the release of Last Man Standing. Coming in April to celebrate his 85th birthday, it is comprised entirely of songs newly-penned by Nelson (and longtime collaborator and producer Buddy Cannon). These 11 essential new songs add to his classic catalog, and acknowledges the transience of time while marveling at the joy, beauty and surprise the world has to offer. It finds Willie Nelson rolling at a creative peak, writing and singing and playing with the seasoned wit and wisdom that comes from the road, which he still travels along performing for fans.