About The Show
TICKETS ARE $15 IN ADVANCE, & $20 AT THE DOOR
The depths of the Texas blues tradition with the wit of a poet. She hits the stage with an unmatched presence, a true legend in her time.
She’d grown up the child of a singer in a band and began playing her mother’s vintage Martin guitar when other girls were dressing dolls. She’d gone from being the teenage toast of her hometown Houston to sleeping in her van in Austin amid heaps of critical acclaim for excellent recordings.
Along with the guitar and the multitude of other instruments she learned to play – trumpet, accordion, piano, mandolin, lap steel – Wonderland’s ability to whistle remains most unusual. Whistling is a uniquely vocal art seldom invoked in modern music, yet it’s among the most spectacular talents the human voice possesses.
That vocal proficiency was well-established in the singer’s midteens, landing her gigs at Fitzgerald’s by age 15. She absorbed Houston influences like Little Screamin’ Kenny, Albert Collins, Lavelle White, Jerry Lightfoot, Joe “Guitar” Hughes, Little Joe Washington, “borrowed” a car to sneak out and jam ended up swapping songs with Townes Van Zandt at Houston’s Local’s on White Oak, and soaked up touring bands like the Paladins, Los Lobos, and the Mad Hatter of Texas music, Doug Sahm. Her music played in television series such as “Time of Your Life” and NBC’s “Homicide.” The Lone Star State was as credible a proving ground for blues in the 1980s and 90s as existed, especially in Austin with Stevie Ray Vaughan & Double Trouble, the Fabulous Thunderbirds, Angela Strehli, Omar & the Howlers, and Lou Ann Barton all in their prime. By the following decade, Austin’s blues luster thinned, but Houston, always a bastion of soul and R&B, boasted the Imperial Monkeys with the effervescent Carolyn Wonderland as ruler of the jungle.