CANCELLED: Griffin House - 12/3/20 - **SOCIAL DISTANCE SEATING**Thursday, December 03 2020 6:30 PM Doors / 7:30 PM Start
CANCELLED: Griffin House - 12/3/20 - **SOCIAL DISTANCE SEATING**
at City Winery Chicago
- 6:30 PM
- 7:30 PM
PLEASE NOTE THAT THIS SHOW HAS BEEN CANCELLED DUE TO THE CURRENT RESTRICTIONS ON INDOOR EVENTS IN CHICAGO. TICKET HOLDERS WILL BE CONTACTED DIRECTLY WITH MORE INFORMATION AS WELL AS OPTIONS FOR TICKETS PURCHASED
Welcome to the first-of-its-kind City Winery show featuring a Socially-Distanced Seating Layout. Out of an abundance of caution, and in keeping with official local health guidelines:
- In these difficult times facing our industry, we kindly request a $40 food and beverage minimum per person
- We will be continually updating our seating map to adhere to all official guidelines regarding social distance requirements as they evolve. We have reduced the capacity to only 50 people and All seating will be General Admission. We recommend coming to the venue one hour early to enjoy a pre-show dinner in our venue (with contactless ordering and payment!) for the best experience.
- All guests are required to complete a contactless temperature check and wellness questionnaire (we take this, too) prior to entering our venue. Also, we require all patrons to wear a mask or face covering when entering and moving throughout public areas. You're welcome to take off your mask at your table.
- We are no longer seating unaffiliated parties at the same table. As such, tickets for this show will be sold in quantities of 2, or 4 people- select the appropriate group size for you and your companions.
- Limited amount of single tickets available by contacting the Box Office at firstname.lastname@example.org
“Rising Star” is not a phrase one would normally use to describe an artist like Griffin House, who has been touring for over 15 years and has recorded 12 studio albums.
The title of Griffin House’s upcoming release,”Rising Star,” references the first track on the album, which tells the story of a character who moves to Music City, like so many do, with a guitar and a dream. Although not intended to be auto-biographical, the listener gets the sense that this comical and fictitious tale could hardly have been woven by someone without a similar life experience to the protagonist in “Rising Star.”
Indeed, House’s story began in much the same way. He moved to Nashville in 2003, as a young man, with not much more than a guitar, and a handful of songs. He took a part-time job downtown on Broadway at Legend’s Gifts, biding his time before he caught his big break. That big break came, after just a few months, in the form of a phone call from Island Def Jam records that jumpstarted his career and led to him signing with CAA and Nettwerk Records.
After that, things happened quickly for House. His 2004 debut album “Lost and Found” was lauded by music critics such as Bill Flanagan (Executive VP MTV/VH1 Networks) who featured House on the CBS Sunday Morning show as one of the “best emerging songwriters.” House began touring, opening for acts like John Mellencamp and the Cranberries, and found himself meeting people like Bruce Springsteen and Willie Nelson. House seemed poised to be more of an “overnight success” rather than a ”rising star,” but that’s not exactly how things turned out.
“I’ve been a “rising star” for the past 15 years” House jokes, “it’s a slow rise.”
Although House has enjoyed plenty of success as national headliner for over a decade and has earned a great deal of respect as a well-known performer and singer-songwriter, he seems to not take himself or his career in the music industry too seriously. Now married, sober, and a father, House has learned to balance his career by making his family and his sobriety his first priority.
He pays tribute to his wife and children (with) “When the Kids are Gone,” a song about watching his daughters grow up and imagining he and his wife as empty-nesters. There’s a lightness in his new record that comes across especially in the first fews songs, such as “Mighty Good Friend,” where you can hear his kids on the recording, as well as the sense of humor in “15 Minutes of Fame.”
House acknowledges that his new album is a collaborative effort. “I teamed up with my old buddies Paul Moak and Ian Fitchuk who helped me make my very first record Lost and Found. It was so good to reunite with them and work together again. It’s amazing that these guys I started out with in the very beginning are now world class musicians and producers being nominated and winning Grammys. This album seemed to come together with a little more grace and ease than records I’ve made in the past, and I think so much of that is attributed to how good the people I got worth with on this record are, they all just happen to be really good friends too.”
Several songs on House’s album are also co-writes with friends and fellow Nashville musicians, including Brian Elmquist (The Lone Bellow) and Joy Williams (The Civil Wars).
“I usually lock myself in a room for 8 hours at a time until I have enough songs done,” House says, “But with touring part time and being a dad part time, that adds up to full time job, so I decided to call in a little help from my friends to write some of these songs. Some songs come easier than others,” says House. “I wrote Mighty Good Friend with Brian (Elmquist) and it’s a song about how I’d been fighting through writer’s block, and then there are songs like Change that I wrote with Joy (Williams). We sat on her couch one morning and I remember showing her the idea for the verse. We worked on the words for an hour or two, and then out of nowhere she sang this beautiful chorus. We broke for lunch and came back and finished it that afternoon. It was one of those songs that took years to live and only one short day to write.”
“I love making music with friends,” says House. “Hindsight was another one with my friend Brian (Elmquist). We share some similarities including our journey into sobriety together. There’s a line in the song “I’ve been thinking lately, of a boy young and on the run” that always makes me imagine Brian as a little boy with a dream, both running away from a hard past and on toward a brighter future. We’ve formed a bond and friendship through music and sobriety, and I think you can feel that in the songs we wrote together.”
Just when you think you have House’s album pegged, there seems to be a surprise around every corner. Each song is distinct in its own own way. The heavy guitar on “Hung Up On You,” a song that House says is a break up letter addressed to alcohol, gives way to the intro of “Cup of Fulfillment” which starts with a bag pipe solo and leads the listener on an epic journey that crescendos into one of the record's most moving moments.
We catch a glimpse of a much more rock n’ roll side of House than we’ve heard before from the Pink Floyd-esque “Crash and Burn” to the rowdy punk influenced “Natural Man.”