Shelby Lynne w/ Leslie Mendelson 7/29/18

Shelby Lynne w/ Leslie Mendelson 7/29/18

Sunday, July 29 2018 6:00pm Doors / 8:00pm Start

Tickets

front-premier
$42.00
Mezzanine
$38.00
Premier
$36.00
Reserved
$32.00

Select Seats

Buy My Favorite Seats

Sun Jul 29 2018

Shelby Lynne w/ Leslie Mendelson 7/29/18

at Venue

Doors:
6:00pm
Starts:
8:00pm

Tickets

front-premier
$42.00
Mezzanine
$38.00
Premier
$36.00
Reserved
$32.00

Select Seats

Buy My Favorite Seats

Share

About:

With a style ranging through country, blues, Southern soul, roots rock, Western swing, jazz, and adult contemporary pop, Shelby Lynne has found herself embraced not by the country mainstream, but by rock critics, British audiences, and the alt-country/Americana crowd. By the time Lynne won her Best New Artist Grammy in 1999, she'd already completed six albums and had over a decade of recording experience under her belt. Yet in a way, the award was appropriate, since I Am Shelby Lynne was the album that finally found her taking control of her music, following years of casting about in search of an identity. 

Recently, Lynne has been touring with her sister, Allison Moorer, in support of their first duet project, Not Dark Yet, selling out venues throughout the country.

Leslie Mendelson

Leslie Mendelson is touring in support of Love & Murder—the singer/songwriter’s first new album in eight years. A stirring work instilled with emotional depth that Glide Magazine declared “one of the best records of 2017,” the effort is the long-awaited follow up to her Grammy Award-nominated debut, Swan Feathers. It’s anapropos title, reflecting the dichotomy between the dark and light she encountered in those years between. Climbing the ranks in 2009 with comparisons to Carole King and Rickie Lee Jones on the tip of tastemakers’ lips,Leslie would go through a series of professional and personal trials that led to stints living in London and later San Francisco before settling down in Brooklyn. She ultimately recommitted to herself and slowly but surely penned the songs with her longtime co-writer Steve McEwan that would become Love & Murder. Produced by Mark Howard (Bob Dylan, Lucinda Williams), Love & Murder is a sparse, raw collection of ten folk songs. Opening with “Jericho,” a haunting number that sets the tone for what’s to come, it makes clear that the album lies more within darker spaces that artists like Sharon Van Etten, Lana Del Rey and Dusty Springfield inhabit. Songs like “Murder Me,” “Coney Island,” and “Chasing the Thrill” find Leslie exploring loss in ways that feel personal and metaphorical,where the stories within are multifaceted. She also recorded three covers: the classic-country infused “Cry, Cry Darlin’,” a take on Bob Dylan’s classic “Just Like a Woman,” played on the ukulele, and a duet with The Grateful Dead’s Bob Weir on Roy Orbison’s “Blue Bayou.” In fact, Mendelson was unwittingly adopted by the West Coast jam scene after Weir heard her take on “Friend of the Devil” and recruited her to perform with him.

On Love & Murder, however, Leslie Mendelson offers a different side of her artistry that isn’t present in her early work or recent collaborations. “This collection is just about the songs and my voice,” she says. “That's what people can connect with. It shows where I am right now as an artist and where I want to go.”